a highly reco · Beau and MSter are right. For example, he pretty much runs th E minor scale twice, and then puts in a few skips Most of the chomatics are the passing tone between E and F#. (Same for other subs). here are the lines in the first section of the book. The lines appear to reflect thinking like it's the sub-chord. I didn't want to explain all of Pat's approach since it's all written down in the book. Em, for example, means E-Dor or plain-vanilla A-Mixo.
a highly reco · Beau and MSter are right. For example, he pretty much runs th E minor scale twice, and then puts in a few skips Most of the chomatics are the passing tone between E and F#. (Same for other subs). here are the lines in the first section of the book. The lines appear to reflect thinking like it's the sub-chord. I didn't want to explain all of Pat's approach since it's all written down in the book. Em, for example, means E-Dor or plain-vanilla A-Mixo.
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